The Mauling Man (2022)

A different kind of werewolf story for Pagan, Kemetic, and Setian audiences. 

 

The Mauling Man (2022) is a “soundtrack” for an imaginary werewolf movie that doesn’t exist. It is currently available for purchase, streaming, and download at Bandcamp, Amazon, Apple iTunes, Spotify, YouTube, and other digital music platforms. This is the story of Hal, a wolf who has the ability to change into a man and back, and who is inspired by the Egyptian gods Anubis and Wepwawet to fight crime and protect the innocent.

Hal is a werewolf, but not like in the movies. He’s a wolf who changes into a man, not a man who becomes a wolf. He changes whenever he wants, not just during the full moon. He also has three faces—wolf, man, and wolfman—not just two.

Most importantly, Hal is a VERY GOOD BOY, not an evil monster.

The werewolf was found abandoned and injured as a pup by a woman named Jane, who nursed him back to health. When she learned he can transform, she adopted him as her son and taught him everything she could. After learning to read, Hal discovered the canid gods Anubis and Wepwawet in an old Egyptology book on Jane’s shelf. Recognizing himself in Them, he decided he wanted to be just like Them when he grew up, helping and protecting the innocent.

When Hal came of age, Jane released him back into the wild. In his lupine form, he fell in love with a she-wolf named Grace and adopted her pups as his own. He’s also been saving human lives and making enemies with the forces of evil ever since—including a mad pseudoscientist called Phibes, a Bible-thumping trophy hunter named Jedidiah Clark, and the entire Lugosi Mob. But perhaps the so-called “Mauling Man” has yet to face his greatest challenge…

“Madonna and Pup”

Injured and abandoned as a pup, Hal is discovered by a woman named Jane, who nurses him back to health. When Jane discovers Hal can change into a human and back, she teaches him to read and write, and she raises him as her own son.

“Holy Canidae”

After Jane teaches him to read and write, Hal finds an Egyptology book on her shelf and discovers the gods Anubis and Wepwawet…and he decides he wants to be just like Them when he grows up.

“Finding Grace”

When he came of age, Jane released Hal back into the wild. He traveled the woods as a wolf for a while; and then he heard her. A she-wolf named Grace cried out into the night for her missing mate, drawing the attention of enemy wolves. She was terrified the other wolves would kill her pups…but then Hal appeared and drove them away. He and Grace fell in love, and Hal adopted her pups as his own.

Grace was a little weirded out when she first learned Hal could change into a man; but it helped that he still smelled the same, and that he was so loving with her pups. In his human form, Hal built his family a safe haven, a den that even other wolves couldn’t enter. Grace is everything to him; she and her pups are his highest priority.

“Human Predator”

A jogger named Alice is menaced by a would-be attacker in the woods early one morning, before the sun has risen. But she is saved in the nick of time by the werewolf Hal, and she witnesses his ability to transform.

“House Fire”

Hal rescues two children named Will and Dana, as well as their dog Bosie, from a house fire out in the woods. Later, the children will tell the authorities they were saved by a “superhero werewolf.”

“Survivors in the Snow”

While searching for an escaped convict and his hostage, state troopers are trapped in an avalanche. Hal arrives to save the survivors and lead them back to civilization; but will anyone believe what they have seen?

“Mauling the Mob”

Members of the Lugosi Mob have kidnapped a boy named Eddie and taken him to a cabin deep in the woods. They threaten Eddie’s father, who is a federal judge, that they will kill the boy unless all charges against their boss, Old Man Lugosi, are dropped. But when Hal finds out what’s going on, he busts into the cabin, rescues Eddie, and gives his kidnappers the fright of their life.

“The Cryptozoologist”

Betsy Phibes is an eccentric conspiracy theorist who is obsessed with cryptids, including Bigfoot and the Loch Ness Monster. When she learns about the Mauling Man in her local area, she becomes equally obsessed with capturing the werewolf. Will Hal escape?

“Prey to God”

The Lugosi Mob has hired an assassin named Jedidiah Clark to wreak their vengeance upon Hal. Clark is a trophy hunter who has killed and stuffed countless dangerous animals. He is also a born-again Christian who believes Hal is a manifestation of Satan. But as Clark closes in for the kill, he learns too late that Hal’s mate Grace and her pups are just as devoted to Hal as he is to them.

“The Ghoul”

A new criminal mastermind is on the scene, and even the Lugosi Mob won’t cross him.

As he tries to stop this deadly nemesis, Hal discovers the Ghoul is actually a werehyena, and that he suffered horribly when he was a cub in the wild.

The Ghoul was born to a normal hyena family, and his loved ones were mercilessly wiped out by superstitious humans. He was able to escape thanks to his ability to transform. After years of hating humanity, he decided to become exactly what the people who murdered his family were afraid of.

Now the Ghoul will stop at nothing to see the earth and all its creatures liberated from the evils of humankind. Can Hal reason with this deadly enemy?

“I Hate It When You Go”

Grace hates it whenever Hal leaves her and the pups. She knows he has been chosen by Anubis and Wepwawet for a special destiny, but she fears Hal might not come home one day…especially with the Ghoul on the loose.

“Showdown”

“A New Generation”

Hal returns home to Grace with his new friend, the Ghoul, at his side. They arrive in time to be with Grace as she gives birth to a new litter of pups—some of whom are little werewolves!!

Bonding with the pups as their “Uncle Ghoul” helps the werehyena process his childhood traumas, and Hal’s kindness helps his mind and soul to heal. The two of them become an inseparable team, and criminals in the area soon find themselves hunted by not one, but TWO vigilante shapeshifters.

In time, local residents will start telling campfire tales of an entire clan of werewolves (plus one werehyena) in their area, mauling human predators and protecting the innocent…

Nephthys, the Dark Midwife

The sister and ex-wife of Set is a renowned healer of wounded hearts and minds.

 

Even more than Ishtar or Taweret, Nephthys is the goddess who is most often linked with Set. In fact, some people might be wondering why it’s taken me 40 whole episodes before I got around to discussing Her. Truth is, I wanted to highlight the aforementioned goddesses first because Their interactions with Set are far less known. I also think Set and Nephthys share a much more complex relationship than what is typically imagined about god and goddess couples, for reasons I shall explain.

The name of this goddess, which comes from the Egyptian Nebet-Het, means “Lady of the House.” It refers to a temple enclosure, rather than a domestic residence. In the Heliopolitan cosmogony, Nephthys is one of the fourth generation of Netjeru (the others being Osiris, Isis, Set, and even Horus in some accounts). As such, She is one of the divinities who facilitate life here on earth, and who contributes to the arts of human civilization.

The fourth generation of gods was somewhat disruptive to the natural order of things at first. There is even a story about Ra, the first Netjer, prohibiting their granddaughter, the sky goddess Nut, from giving birth to these young’uns (despite already being pregnant). Thankfully, the wise god Thoth finds a technicality that allows Nut to have her children while still technically obeying Ra’s decree. So first it was just Ra, and all things were united in them. Then Ra begat Shu and Tefnut, the breath and the waters of life, who are the first male and female. After that, Shu and Tefnut begat another male and female, Nut and Geb, the deities of heaven and earth. While Ra themself is hermaphroditic, the second and third theological generations are dichotomous, falling into a strict gender binary that is strongly tied to the reproductive cycle.

Reproduction becomes a major theme for the fourth generation of Netjeru as well, but in a radically different way. For one thing, there are not just two deities in this generation, but at least four (if not five, depending on whether you choose to include Horus—but more on that in a moment). Only two of these figures—Isis and Osiris—are a fertile heteronormative couple, and they become the darlings of the pantheon for this reason. Set and Nephthys are sterile and barren, incapable of producing any offspring. Set is also attracted to gods of the same sex, and there is reason to think the same might be true of Nephthys. While Isis and Osiris are like celebrities, receiving all the glory and the privilege from their elders, everybody tries to forget about Set and Nephthys in the beginning, pairing Them together and leaving Them to fend for Themselves.

The way I see it, this is what sets the entire Osirian drama into motion. More than anything, Nephthys—sometimes described as “an imitation woman with no vagina”—wants to have a child; She wants to experience all the same parts of womanhood that Isis enjoys. So She disguises Herself as Isis and sleeps with Osiris, who is so miraculously fertile, he could even impregnate a corpse. Nephthys then gives birth to Anubis, the jackal god, and tries to hide Him so Set won’t find out what happened. But Set learns the truth and loses His temper big time. Instead of trying to harm Nephthys or Anubis, however, He squashes Osiris instead (twice, in fact). Then Isis goes on her journey to raise Osiris from the dead. She succeeds, sleeps with her brother-husband one last time before he goes to Duat, and becomes pregnant with Horus. (This is where the question of when Horus is born comes up again. I prefer to place it here at this point in the narrative, as it makes the most thematic sense to me personally; but there are other versions of the same narrative that cite Nut as the mother of Horus. Just one more example of how the ancient Egyptians were way ahead of quantum physicists or science fiction writers when it comes to the idea of alternate universes.) Nephthys dutifully accompanies Isis through all of this insanity, helping Her sister every step of the way.

Women from popular culture who have a “Nephthys vibe.” From left to right and up to down: Guinan (Whoopi Goldberg) from Star Trek: The Next Generation; Death from DC/Vertigo’s The Sandman comics by Neil Gaiman; Elise Rainier (Linda Shaye) from the Insidious horror film franchise; goth rock artist Siouxsie Sioux; Morticia Addams (Carolyn Jones) from The Addams Family; and Lydia Deetz (Wynona Ryder) from Beetlejuice.

This is especially the case when it comes to the funeral of Osiris; and here is where Nephthys’ innermost drive becomes most evident. She and Her son Anubis help Isis reconstruct the body of Osiris and restore him to life. Through much of this process, Nephthys weeps and wails and whimpers with Isis, empathizing with the widowed goddess and sharing in her profound sorrow. The Egyptians prayed to Nephthys as a kind of “dark midwife” you might say, a divine grief counselor who assists those in terrible emotional anguish, helping them heal and feel better over time. This fits together with the role of Anubis, who invents the funerary arts and becomes the first mortician. Nobody enjoys experiencing death or loss, but they are facts of life, and those of us who survive must find a way to live again. To think that Nephthys and Anubis have always been there to nurture things that help us cope with such experiences (such as counseling or mortuary science) makes my heart glow like a jack-o’lantern.

Nephthys sides with the Osirian Trinity during the Contendings of Horus and Set, and She sticks with them for the most part after the Great Reconciliation. She continues associating with Big Red when it comes to fighting the Chaos Serpent, and She appears to have been revered as a powerful fire-breathing warrior in this regard. But the one member of the Divine Family Nephthys truly seems to have fallen in love with is Isis. To make things even more interesting, other cosmogonies have cited Set as being Anubis’ father; the two are often linked (or even outright confused with each other) even today.

None of what I say next should be treated as any kind of official religious dogma. This is just what I personally take from these wonderful stories, and you can either take it or leave it. But I think Nephthys is a lesbian goddess. I think She and Set still love each other; They have just always loved each other as brother and sister for the most part. They are divorced, but for good reason; They were never very attracted to each other in the first place. Isis and Osiris are married because they love each other; Set and Nephthys were paired together as an afterthought to make the rest of the pantheon happy. This refusal to properly integrate the forms of life and being that Set and Nephthys represent is what almost caused the downfall of Creation, and the apocalypse was only averted when the Netjeru got wise as a society and changed their ways. Now these two outcasts are truly accepted by Their family as equals, and Set has even grown to love Anubis and become His stepdad.

This trinity of Set, Nephthys, and Anubis is truly remarkable for many reasons. A divorced pansexual genderbending dad, a barren lesbian spinster mom, and a so-called “illegitimate” stepchild born of “adultery”? What isn’t there to love about this, or the fact that these figures were considered acceptable and divine in ancient Egyptian culture? The Western patriarchal concept of “the nuclear family”—which insists that all families must consist of two heteronormative cisgender adults with 2.3 biological offspring born in wedlock—is not only a more recent invention in the grand scheme of things, but a blatant work of isfet (poisonous falsehood and injustice) that contradicts Ma’at (everlasting goodness and truth). There is a place for EVERY sentient being in this world, AND for the sentient beings they love too. It simply DOES NOT MATTER whether we are male or female, gay or straight, trans or cisgender, married or unmarried, monogamous or non-monogamous, biologically related or adopted—and it NEVER has. Other religions need to hurry the fuck up and get wise to this, already. Set, Nephthys, and Anubis were already on top of this well ahead of Yahweh and Jesus, and things still don’t look so good for those two on this score today.

(Plus, Set, Nephthys, and Anubis are all goth as hell, like They’re the original Addams Family—and that is just cool.)

If there is any one divinity I associate with Hallowtide in particular (which is no easy task, given the sheer quantity of gods who align with the occasion perfectly), Nephthys is the one. My wife and I enjoy visiting cemeteries all around our state in October and November, and to me, this is a way of honoring Nephthys throughout the holiday season. Just to walk among the graves and admire the craftsmanship of the headstones and tombs; to see all the ancient iconography that still shows up, even among the newer statuary; to soak in the names of the ancestors who rest there, and the times in which they lived; to be alone in the eerie silence. Even if you don’t believe in ghosts, there is just something about visiting such places for a couple of hours that has an effect on you. Most people seem to find the idea spooky, but I find it very peaceful and meditative, helping me achieve a level of mindfulness I usually can’t reach otherwise. To me, this kind of mindfulnessness is a huge part of what Lady Nephthys is all about.

Lest She be accused of never being colorful, Nephthys is also the guardian of the Bennu. This avian divinity was associated with heron birds and the solar cycle in Heliopolis. The Greek writer Herodotus described it as the phoenix (a possible Greek derivative of Bennu), which later developed into the archetypal “bird of fire” that ritually burns and rises from its own ashes. These more modern associations are fascinating when put together with Nephthys’ reputation as a healer of wounded minds and hearts, as well as Her role as a fiery monster-slayer. Though it is really about Russian folklore, I enjoy listening to Igor Stravinsky’s The Firebird each year at Hallowtide because I find the titular creature analogous to that of the Bennu, and phoenix symbolism is very evocative of Nephthys to me personally.