Taweret—Or, When God is a Hippopotamus

A discussion of the Egyptian hippo Goddess Taweret, Her connections with Set, and the reasons I love Her so much.

Taweret is the Egyptian hippo Goddess of childbirth. Her name means “Great Female,” and She is otherwise known as Taurt, Reret, Apet, or Thoueris. According to some accounts, She was originally the female counterpart of Apep, the Chaos Serpent; but She became a Goddess and a defender of Ma’at. Now—along with Her trusty sidekick, the benevolent daemon Bes—Taweret protects the frightened and the vulnerable. As frightening as all the qliphoth of the Void might be, they are frightened of Taweret, and for good reason. Her sacred animal is one of the deadliest creatures on earth, and She is the only other Netjer or Egyptian divinity who is powerful enough to wield Khepesh, the celestial Iron of Set!

Hippos are Typhonian animals, which means there’s a very strong connection between Taweret and Set. While male hippos were feared, females were celebrated for their ferocity in protecting their young. The Egyptians channeled this ferocity by invoking Taweret for protection, especially when it came to mothers and little children. Midwives commonly used hippo statuettes to instill Taweret’s strength in women who were giving birth. People kept Her image around their homes because it made them feel SAFE in a world of terror and chaos, with no hospitals or public health system as we understand such things today. People generally don’t behave that way toward influences they think are “ugly” or “disturbing,” so clearly the sight of Taweret inspired confidence. Despite Her so-called “demonic” appearance, the Great Female is there to defend the defenseless.

Taweret never had any temples or priesthoods of Her own (that we presently know of, at least); Hers was a purely folk tradition, kept alive by Egyptian peasants in their own homes. This is ironic, given that Taweret is also linked with one of the largest and most important constellations in the northern sky. The Egyptians viewed Draco not as a dragon, but as a great big hippo with a crocodile on Her back. In funerary art, this hippo was shown with sagging breasts that are heavy with milk. She holds a chain by which the Big Dipper is tethered to Polaris, the North Star. Taweret is said to keep the Dipper restrained to prevent Set from completely destroying the universe whenever He becomes too angry. She is helped in this regard by the Four Sons of Horus: Duamutef, Hapi, Imsety and Qebshenuf.

The Great Female was eventually recast as an alternate form of Isis, the sister-wife of Osiris; but I disagree with this conflation myself. Isis is linked to Sirius and the Sothic cycle, not to Draco or the circumpolar stars, and the Isian religion is known for having absorbed virtually every other Goddess religion it encountered in Late Antiquity (including the cults of Aphrodite, Demeter, and Diana). But most importantly to me, Taweret is a “monstrous” divinity who was born of chaos and who exhibits chaotic traits, yet who uses Her chaotic powers to defend the cosmic order (not to un-create it, as Apep seeks to do). She trades in an altogether different, more primeval kind of fertility than Isis does. The Egyptian Gods are kind of like Voltron or the Megazord; they can converge in various formations and become composite deities, and this includes Taweret and Isis as much as the rest. But this is not the same thing as saying Taweret is simply a “different version of Isis.”

Many Goddesses are portrayed as beautiful, slender-bodied women, but Taweret has always been depicted as rotund, with a gaping mouth full of razor sharp teeth. She certainly isn’t the sort of “glamour girl” one normally finds in pinup magazines, and I absolutely love Her for this. (Not that I have anything against the more glamorous Goddesses; remember, I revere Ishtar too.) Our patriarchal society pretends to love women, but continues to shame them for not keeping fit, wearing makeup, shaving their armpits, or bearing children. There is nothing wrong with doing either of these things so long as it is your choice, just like there is nothing wrong with wearing a skirt or a hijab so long as it is your choice. But the expectation that every woman must fit some kind of “mold” is not only misogynist; it goes against nature, as holy figures like Taweret are here to remind us.

By the time the Greek writer Plutarch came along (circa 46–120 C.E.) to offer his version of events, Taweret’s story had been changed so that She was a concubine of Set who abandoned Him after the killing of Osiris. This change was probably the result of Set’s demonization in Late Antiquity, when He was conflated with the Chaos Serpent and blamed for Egypt’s fall to foreign rule. I think Taweret is still one of Set’s many romantic partners, but She also acts as a kind of “buffer” between Him and the other Netjeru, restraining Set when He loses His self-restraint.  (A Lady who’s not afraid to smack Big Red around with His own iron genitals whenever She thinks He’s being an asshole? How can such a Female be regarded with anything but boundless AWE?)

Taweret also resembles Big Red in that She seems to have identified more with the “little people” who didn’t benefit as much from Pharaonic privilege. The peasants knew She would always listen to them, even if the “more important” Gods of the Pharaohs and the priesthoods didn’t. In Typhonian Thelemic lore, it is said that Set is the male offspring or avatar of Typhon, whom Kenneth Grant depicts as a saurian mother Goddess associated with Draco. Grant further claimed that “Typhon’s” worship was suppressed by later patriarchal religions. As far as I can tell, there is no historical evidence to support either of these claims, which Grant appears to have drawn from the poet Gerald Massey (who was not an Egyptologist). But I do agree with Massey and Grant that Set’s worship is linked to that of a “monstrous” female divinity who resonates with Draco, and who was ignored by the Pharaohs for some reason. I just think the entity they were describing is actually Taweret.

I think of Draco and the Big Dipper as being at the “center” of heaven. Being circumpolar, they never descend beneath the horizon, which is why the ancient Egyptians called them “the Imperishable Ones.” Unlike the planets and the constellations of the Zodiac, the circumpolar stars can be seen on any night at any time of year (in the northern hemisphere, at least, and weather permitting). Since Draco and the Dipper are above the Zodiac, I think of Taweret and Set as being “older” and “darker” than any of the various planetary divinities (e.g., Marduk and Zeus for Jupiter, Ishtar and Aphrodite for Venus, etc.), as well as divinities associated with Sirius and Orion (e.g., Isis and Osiris, respectively), which are beneath the Zodiac. Mind you, I am not asserting any of this to be a dogmatic “fact”; it’s just the way I prefer to think about the Gods based on Their related stars. I also incorporated this theoretical cosmogony into A Would-Be Ombite Creation Myth, with Set and Taweret cast as the first Netjeru to be born from Nut or Mother Sky.

Understanding the Yezidis

The Yezidis are accused of “worshiping the devil,” but are also romanticized by Western occultists—neither of which is acceptable.

I first learned about the Yezidis from reading Terri Hardin’s Supernatural Tales From Around the World in the late 1990s. At that point, most people—including Western scholars—were still calling them “devil worshipers,” and accurate information about this culture was still very hard to come by. It’s only been during the past 15 years or so that the outside world has finally given the Yezidis the proper attention they deserve, but the cause for this is unfortunate. After many centuries of persecution, the Yezidis continue to be systematically slaughtered by Islamic jihadists. They are especially despised by the Islamic State terrorist group, which has exterminated entire crowds of Yezidi men and kidnapped countless Yezidi women and children, forcing them into slavery.

Yezidism is a syncretized religion that combines pre-Zoroastrian Kurdish polytheism with certain elements from the biblical faiths. It revolves around nine theological personas, including: a deistic Creator God who takes little direct interest in mortal affairs; seven archangels that serve as custodians for Creation; and a holy prophet named Sheikh Adi ibn Musafir, who is believed to have been one of the seven archangels in human form. Yezidis believe that worshiping the Creator God is pointless, because this entity does not actually care what happens to mortal beings. Our prayers are more productively directed toward the archangels instead, since they now rule the universe in the Creator’s place. Of these seven angels, the most important is called Melek Taus or Ta’usi-Melek, “the Peacock Angel.”

Melek Taus appears to have been a polytheist deity who was later conflated with the Islamic version of Satan, and this is where the accusation of Yezidi “devil worship” comes from. According to the Koran, Iblis (“Doubt,” the Islamic name for Satan) was originally a genie who refused to prostate himself before Adam per Allah’s command. Iblis is said to have thought he was superior to human beings, and Allah cast him out of heaven for his insolence and pride. Afterwards, Iblis became the Shaitan and devoted himself to tricking as many people into disobeying Allah as possible (so they will go to hell). Aside from this origin story, the Islamic devil functions in much the same way as the Christian devil does; he is basically there to harass, frighten, and/or deceive monotheists into committing various “sins.”

The Yezidis worshiped their peacock God long before they ever heard this story; but at some point, attempts were made to convert them to Islam. They were told that their Peacock Angel is actually the Shaitan (just as all polytheist deities are really “Satan” in monotheist eyes). Strangely, the Yezidis seem to have agreed that Melek Taus is the same person as Iblis; and they do agree that he disobeyed a direct order from the Creator by refusing to worship human beings. But this is where the resemblance between these two narratives ends. The Yezidis believe that instead of becoming the devil, Melek Taus actually became the first monotheist. He disobeyed the Creator not out of pride but out of loyalty, for he was refusing to worship anyone else but the Creator. The Yezidis further hold that Melek Taus was rewarded for this act of disobedience, and that the Creator chose him to rule our cosmos. In this way, they justified the continued worship of their Peacock Angel not as the “enemy” of Allah, but as his regent.

Sheikh Adi ibn Musafir was a medieval Sufi Muslim who traveled to Kurdistan in search of some peace and quiet. Despite his attempts to live a monastic life, he drew the attention of his new Yezidi neighbors, who seem to have thought he was a wizard. Sheikh Adi likely tried converting the Yezidis to Islam (and he was probably one of the very few who ever tried to do this peacefully). As far as I’ve been able to trace, the idea of Iblis being “the first monotheist” originates from the Sufi movement, which follows a more mystical reading of Islam. I bet Sheikh Adi introduced this idea to the Yezidis, who then equated it with their own God Melek Taus. In any case, Sheikh Adi made such an impression on these people that they started to believe he was actually a human incarnation of the Peacock Angel. To this very day, making a pilgrimage to Sheikh Adi’s tomb is still an important component of the Yezidi faith.

The Khatun at the door of Sheikh Adi’s temple in Lalish, Iraq

Much of the attention Yezidism has received here in the West comes from Satanists, who often cite the religion as “proof” for the historicity of a pre-LaVeyan Satanism. (Nevermind the fact that Anton LaVey was preceded by two earlier 20th century Satanists, Maria de Naglowska and Herbert Sloane.) LaVey even included part of a so-called Yezidi text—the Al-Jilwah—in his book, The Satanic Rituals (Avon, 1972). This text is now accepted by some theistic Satanists as a direct revelation from Lucifer himself; but its true history is far less certain. For one thing, the Al-Jilwah is only part of a longer text called the Mishaf Resh (“Black Book”). And while it does reflect some Yezidi beliefs, it was not written by Yezidis. Back in 2007, I had an opportunity to speak about this with Dr. Philip G. Kreyenbroek (one of the leading scholars of Yezidi culture today), and this is what Dr. Kreyenbroek shared with me:

“The so-called ‘Sacred Books’ are forgeries and have little to do with Yezidi belief. [. . .] I can still remember the face of a learned Yezidi friend of mine when I first showed him the ‘Sacred Books,’ first he was scandalized and then he laughed fit to burst.”

—P.G. Kreyenbroek (Personal Communication, October 20, 2007)

I have met theistic Satanists who believe everything in the Al-Jilwah word-for-word, as if it were the Bible and they were fundamentalist Christians. Yet the truth is that:

  • Melek Taus and Satan are two completely different figures.
  • Yezidis don’t believe in “Satan” as he is defined in Christianity or Islam at all.
  • Yezidis consider the Al-Jilwah to be some Westerner’s idea of a joke.

This pretty much destroys the entire notion of using the Al-Jilwah as some kind of “infallible” sacred scripture. But Yezidi beliefs have also been appropriated by other Western occult groups, including Theosophists  and Thelemites . While romanticizing the Yezidis as “ascended occult masters” is much better than vilifying them as “devil worshipers,” it is equally removed from reality. What these people have written about Yezidism really says more about Western occultists than it does about Yezidis. It’s equivalent to saying, “I can’t find more than a single paragraph about the Yezidis in any of my encyclopedias, and I’ve never actually met a Yezidi person or directly experienced their faith in any way; but since I’m a Snooticus Maximus XXI° of the Ordo Assholius Genericus, I automatically know more about Yezidism than anyone else—including those silly Yezidis!”

A much better example of how Western occultists can treat Yezidi beliefs and culture would be the Feri Tradition of Traditional Witchcraft. For better information on this particular subject, check out The Blue God of Faery, an interview with Storm Faerywolf on Patheos.com.  

Alexander Hislop once conflated Melek Taus with Set, but my research has convinced me that this claim is false. However, I continue to feel great empathy for the Yezidis. I appreciate their unique theology, and I can identify with how frustrating it is when people think your God is “evil.” My heart also breaks whenever I think of all the human rights abuses the Yezidis have suffered en masse. This has been my attempt at setting the record straight about some of their beliefs, which are grossly misrepresented not only by Christians and Muslims, but also by Satanists and other Western occultists. There is nothing wrong with taking some inspiration from the Yezidi faith, if people feel a calling to do so; after all, the Yezidis themselves maintain that Melek Taus “belongs to everyone.” But if a person does take inspiration from the Yezidis, they should make every effort to understand Yezidism on its own terms, as well as to clarify that they are not actual Yezidis themselves. Since the Yezidis are an ethnic group as much as they are a religion, white people have no business trying to include themselves in their culture.

Further Information

YezidiTruth.Org

Who, What, Why: Who Are the Yezidis? (BBC News)

References

Acikyildiz, B. (2010). The Yezidis: The history of a community, culture and religion. New York, NY: I.B. Tauris & Co.

Allison, C. (2001). The Yezidi oral tradition in Iraqi Kurdistan. Richmond, Surrey: Curzon Press.

Arakelova, V. (2004). Notes on the Yezidi religious syncretism. Iran & the Caucasus, 8(1), 19–28. Stable URL: http://www.jstor.org/stable/4030889

Asatrian, G. (1999). The holy brotherhood: The Yezidi religious institution of the”brother” and the “sister” of the next world. Iran & the Caucasus, 3/4. Stable URL: http://www.jstor.org/stable/4030767

Asatrian, G., & Arakelova, V. (2004). The Yezidi pantheon. Iran & the Caucasus, 8(2), 231–279. Stable URL: http://www.jstor.org/stable/4030995

Guest, J.S. (1987). Survival among the Kurds: A history of the Yezidis. Abingdon, Oxon: Routledge.

Kreyenbroek, P.G. (2009). Yezidism in Europe: Different generations speak about their religion. Göttingen, Germany: Hubert & Co.

An LV-426 LBRP

An LV-426 Setian adaptation of the Lesser Banishing Ritual of the Pentagram.

The Lesser Banishing Ritual of the Pentagram (or LBRP for short) is a magical procedure developed by the Hermetic Order of the Golden Dawn during the late 19th and early 20th centuries. It involves casting a magician’s circle, tracing pentagrams in the air, and reciting divine names of power to repel any chaotic or qliphothic forces that might be hanging around you.

The litany for this rite was adapted from a traditional Jewish prayer that is recited before sleeping:

In the Name of God, the God of Israel: may Michael be at my right hand, Gabriel at my left, Uriel before me, Raphael behind me, and above my head, the presence of God.

The actual Golden Dawn procedure is much more complicated than just a bedtime prayer, requiring the use of an altar, robes, and various ritual tools. But the effect was so remarkable that even people outside the Golden Dawn started using the procedure, re-writing it to suit their own needs. More than a century later, a Google search for “LBRP” will retrieve countless variants of the rite that are now used in various faiths today, including Wicca, Thelema, and even Satanism.

Upon learning that the LBRP descends from a bedtime prayer, I felt moved to draft an adaptation of my own. This version of the rite is written from an LV-426 Setian perspective, which means it is much simpler than what most ceremonial magicians are probably used to. You can include an altar and any additional ritual items you wish, but this is entirely optional. The only things you really need are yourself and a nice quiet place where you can be alone.

The Procedure

Stand facing north, with your eyes closed. Count down silently from 100. Then raise your head up high and recite:

In the Name of
SUTEKH,
God of Deshret.

Open your eyes and turn slowly to the left, facing west. Raise both your hands in the sign of the horns, pointing up to the sky.

Draw a horned pentagram in the air before you with your left hand; imagine a red light trailing behind your fingertips, so there is an invisible afterglow. Then, arms still raised into the air, recite:

Hear me,
NUBTI of Ombos,
Golden One,
Provider of Life on the Frontier.

Turn to the left, facing south. Draw another pentagram in the air, in the same manner. Then, arms still raised, recite:

Hear me,
TYPHON of Aegyptos,
Disturber of the Dark,
Giver of Winds.

Turn to the left, facing east. Repeat the same procedure; then recite:

Hear me,
HADAD of Kemet,
Savior of Khepera,
Hero of the Light.

Turn to the left, so that you are facing north once again. Draw one last pentagram in the air; then recite:

Hear me,
ASH of the Oases,
Horned Night-Hunter,
Wanderer of the Wastes.

Gently lower your arms and close your eyes. Remain silent for a few moments; then recite:

I am
SUTEKH’S Child,
the Dazzling One in mortal flesh.
I alone am Sovereign Ruler
of my innermost self.

Raise your left hand in the sign of the horns, pointing west. Recite:

May
NUBTI
ever be at my left;
I will survive and persevere
in all hostile terrain.

Raise your right hand in the sign of the horns, pointing east. Recite:

May
HADAD
be ever at my right;
I will smite the forces of isfet
and champion the Light.

Keeping both arms in the air, take a half-step backwards, so that your left foot is behind you. Recite:

May
TYPHON
ever be behind me;
I will ride the winds of change
and create myself anew.

Take a half-step forwards (with your arms still in the air), so that your right foot is before you. Recite:

May
ASH
ever be before me;
I will drink sweetwater
in the Desert between the Worlds.

Rise into a standing position and cross your arms over your chest, with your hands still in the sign of the horns. Close your eyes once more and recite:

May the presence of
SUTEKH
be ever upon my crown.

Silently count backwards from 100; then open your eyes and go forth by day.

Ishtar, the Lady Morningstar

She rebelled to help humanity before Prometheus. She died and rose from the grave before Jesus. And She invented the “zombie apocalypse” before George Romero.

Almost every culture has viewed Venus—the “Lucifer” or Morningstar—as an aggressive, contrary force. This is because it is usually the first star seen at sunset, and the last star seen at dawn. Based on this phenomenon, people imagined that Venus is a “rebel” who defies the Sun, refusing to disappear as her superior rises, then rushing to ascend as the Sun sets. Even before medieval Christians incorporated Lucifer into their devil myth, most theological beings associated with Venus were perceived as unruly, cosmic shit-disturbers.

Ishtar, the Akkadian Goddess of Venus, is no exception. She stole the sacred mes, the powers of civilization, from Her uncle Ea and gave them to the people of Uruk. She insisted on visiting Her deadly sister Ereshkigal, the Queen of the Underworld, and conquered death in the process (with some help from Ea). When She learned Her husband Tammuz had not grieved for Her at all while She was dead, She killed and kicked His ass straight down into hell. When the “hero” Gilgamesh refused to marry Her, She sent the apocalyptic Bull of Heaven after him. And when Her father Anu refused to give Her the Bull at first, She threatened to raise all the dead across the earth and send them to feast on the living. She is also said to have an insatiable sex drive, exhausting all of Her various lovers to death.

If you think that sounds bad, Gilgamesh was a king who tyrannized his people, breaking into their homes and raping all the women. He only stopped when the Gods created Enkidu to challenge him, giving him something else to do with his time. Gilgamesh then became so obsessed with finding the secret to immortality that he abandoned his people and left them to fend for themselves. (What an asshole!) So it’s always seemed weird to me that he is portrayed as the “hero” in this story (despite being a tyrant and a rapist), while Ishtar is framed as the “villain” (even though She is divine and transcends all human understanding). The greatest threat Ishtar poses for this megalomaniac is not to his life, but to his ego.

(If Ishtar appeared and said She wanted to marry me, I’d say, “Okay.” Better to be mauled ecstatically by Ishtar’s lovely, blood-splattered mouth than to die by the hand of any mortal man!)

Ishtar appears in Babylonian art as a badass Amazon standing on a Gods-damn lion, getting ready to beat the shit out of some motherfuckers. Assyrian kings prayed for Her to join them on the battlefield like a Valkyrie and slaughter their foes like cattle. (And if their records are to be believed, She answered their prayers…brutally.) As a warrior Goddess, Ishtar was very popular with the Hyksos, who called Her Astarte and paired Her with their chief deity, Ba’al Hadad. When the Hyksos ruled Egypt during the Second Intermediate Period, they brought Ishtar’s worship into the Land of the Pharaohs. And since Ba’al Hadad was identified with Set by the Egyptians, they came to view Ishtar/Astarte as one of Set’s romantic interests as well.

There is a fragmentary Egyptian text from Edfu in which Yamm, a sea monster, demands the hand of Ishtar in marriage. For a moment, it seems the beast will claim its bride; but Set intercedes, and while the rest of the story is uncertain, there is a similar Ugaritic tale in which Ba’al Hadad rescues Astarte from Yamm. Since Hadad’s name is substituted for Set’s in the Edfu texts, the Egyptian version most likely ends with Set destroying Yamm and marrying Ishtar. Considering Their unruliness and Their shared frustrations with dying-and-rising fertility Gods (like Osiris and Tammuz), don’t you think Set and Ishtar make a perfect couple?

Ishtar is often vilified for being so “promiscuous.” This is due to a complete misunderstanding of hierogamy or hieros gamos, the concept of “sacred marriage.” It is a religious rite in which people have sexual intercourse, with at least one of the participants being “possessed” by a deity. Such procedures served a twofold purpose in the ancient world. The practical purpose was to channel the fertility of a God and/or Goddess into the crops, livestock, and people of a community. The spiritual purpose was to reach a higher level of consciousness. Under the right circumstances (all of which require CONSENT), a really good orgasm can totally “blow your mind” and make you feel like you’re in tune with the rest of the cosmos. It makes total sense why people would consider that ecstatic moment of self-surrender to be supremely magical. From this standpoint, sex can be much more than just some “dirty” animal act; it can be a divine religious experience that is both self-fulfilling and incredibly humbling.

The clergy in ancient religions that practiced hierogamy are often described as “cult prostitutes” by biblical scholars. This is especially true when it comes to the qadishtu or holy women of Ishtar. Sex did in fact play a part in the beliefs of the qadishtu, and they were ostensibly paid by the laity for their clerical services. But the way I see it, there probably wasn’t always a direct relation between these two things.

First of all, it is unclear whether Ishtar’s holy women actually engaged in hierogamy with everyone who entered their temples, or if just one priestess performed the rite with a king during the annual Akitu spring festival. To be honest, I have my doubts that even the latter case was always true. Many contemporary examples of hierogamy (such as the Great Rite in Wicca) are often performed symbolically (e.g., sticking an athame in a chalice, rather than actually copulating). It is entirely possible that hierogamy wasn’t always practiced quite so literally in pre-Christian times, either.

Secondly, it is wrong to assume that every service the qadishtu provided for their society was sexual in nature. In fact, it is very likely that most of what they did had nothing to do with sex at all. The available evidence would seem to suggest they were more like nuns than nymphs, caring for the sick and the orphaned, keeping chaste, and living their day-to-day lives in quiet, contemplative prayer. So the fact that Herodotus and the biblical patriarchs defined the qadishtu in terms of sex says infinitely more about them and their dirty little minds than it does about Ishtar’s holy women.

The Mušḫuššu dragon from the Ishtar Gate

Yet another attack on Ishtar is the false claim that She is the alleged “Pagan origin” of Easter. This story goes back to Alexander Hislop, who published a pamphlet called The Two Babylons in 1853. Hislop claimed that Ishtar was originally a mortal Babylonian queen named Semiramis, who single-handedly invented all of polytheism. She then became worshiped as Ishtar—which many Christians claim is pronounced “Easter” for some reason—and created the holiday we now know by that name for herself.

Hislop was partially correct; Easter does in fact have polytheist origins. But its name is actually derived from Eostre, a Teutonic fertility Goddess who bears no historical relation to Ishtar whatsoever. The imagery of rabbits and eggs is taken from a myth in which Eostre transformed a bird into a rabbit that could lay eggs (the Easter Bunny). These symbols do not appear anywhere in Ishtar’s iconography, which has plenty more to do with bulls, dragons, lions, and owls. Nevertheless, evangelicals continue to repeat Hislop’s bullshit at every turn, criticizing Easter as a so-called “satanic” rite to Ishtar.

The Burney Relief, depicting an unknown female figure who could be Ishtar or Ereshkigal (but who likely isn’t Lilith)

One thing that really sticks in my craw is when people confuse Ishtar with the succubus, Lilith. In the 1970s, many Pagan writers circulated a claim that Lilith originated not as the “first wife of Adam,” but as a “handmaiden” of Ishtar who served the Goddess by bringing men to Her temple for worship. Another claim states that Lilith is really a Goddess in her own right; she was later demonized, or so the story goes, when biblical patriarchy replaced the Goddess religions of old. And some people seem to think Ishtar and Lilith are really just the same person at the end of the day.

There is no evidence to support any of these theories. Even in pre-biblical polytheist cultures, Lilith was a qliphothic entity that ate newborn children and sapped men of their seed at night. She was never worshiped, but was only warded off with apotropaic spells. This was as true when the Epic of Gilgamesh was being written as it was when the Old Testament was being written. I can accept the idea of people believing Lilith is a Goddess today, if that is truly how they feel; but they should admit this is a new belief in the grand scheme of things, and not an ancient one. They should also avoid conflating Ishtar with Lilith, because the two are very different figures indeed. At the very least, the former is my Spirit Mama, and the latter is not.

I first met Ishtar in McClennan County, Texas, during the autumn of 1999. I was about to turn 17, and I had been walking with Set for just over two years. I can’t really explain what drew me to Ishtar so suddenly that cloudy afternoon; the best I can say is that Set “traded” me with Her, and I walked with Her for the following year. They traded me back after that, and I’ve been with Set ever since. I never quite understood why this happened until about a decade later, when I met the woman who became my wife. We met in a Pagan discussion forum, and the only reason we did is because I wanted to meet other people who knew about Set, and she wanted to meet other people who knew about Ishtar. Considering this, we’ve always felt that Set and Ishtar are personally responsible for micromanaging things just so the two of us would meet. And that hiatus I had with Ishtar was the Goddess sizing me up as a potential match for one of Her contemporary qadishtu. (I sure am glad I passed the test!)

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